Publications

Reviews and Articles

1930 – 1939

  • Harris, Ruth Green. “ ’Les Américains’ in Paris,” The New York Times, February 28, 1932, X10.
  • Sauvage, Noel. “An Admirer’s View of Provence,” The New York Times, March 24, 1935, BR9.
  • Jewell, Edward Alden. The New York Times, April 26, 1935, 17.
  • Devree, Howard. “Gallery Melange: A Reviewer’s Week,” The New York Times, May 5, 1935, X7.
  • Devree, Howard. “A Reviewer’s Notebook,” The New York Times, February 28, 1937, 172
  • M.D. “Biala: A Gay Tapestry,” ARTnews, March 13, 1937.

1940-1949

  • “Art in Brief,” The New York Times, January 14, 1942, 17.
  • Jewell, Edward Alden. “Romantics: New Shows Reflect a Tendency,” The New York Times, January 18, 1942, X9.
  • Jewell, Edward Alden. “Modern Art Again,” The New York Times, November 5,  1944, X8.
  • Devree, Howard. “A Reviewer’s Notes: New Exhibitions,” The New York Times, April 29, 1945, X5
  • Coates, Robert M. “The Art World,” The New Yorker, February 23, 1946, 62.
  • Jewell, Edward Alden. “Blakelock Honored: Whitney Centennial Celebration Confirms His Fame – Latin-Americans, Others,” The New York Times, April 27, 1947, X10
  • “Les Galeries: Janice Biala à Jeanne Bucher,” La Bataille, June 23, 1949
  • Lassaigne, Jacques. “La Peinture de Demain,” La Bataille, October 27, 1949
  • Devoluy, John. “Art News in Paris: Janice Biala,” New York Herald Tribune (Paris), July 1, 1949.
  • “Biala at Galerie Jeanne Bucher,” ARTnews, July 17, 1949.
  • Estienne, Charles. “Au Salon des Surindépendants,” Combat, October 18, 1949.

1950-1959

  • Preston, Stuart. “From Old to Modern; Trompe l’Oeil Paintings – Biala’s Recent Work,” The New York Times, February 12, 1950, 97.
  • “Janice Biala at Carstairs Gallery,” New York Herald Tribune, February 19, 1950.
  • Boudaille, Georges. “Peintres Contemporains,” Arts, March 16, 1951, 5.
  • Descargues, René. “…Biala dont le paysage est une perfection de douceur passionnée,” Arts, October 27, 1950.
  • Lassaigne, Jacques. “Le  Salon de Mai”, Arts, May 11, 1951.
  • D.A. (Dore Ashton), “Janice Biala at Stable Gallery,” Art Digest, May 1, 1953.
  • Preston, Stuart. “Portrait to Abstract,” The New York Times, May 3, 1953, X8.
  • Goosens, Eugene. “Compare French, U.S. Painters,” New York Herald Tribune (Paris), October 18, 1953
  • Estienne, Charles. “…les paysages récents de Biala…,” L’Observateur, June 17, 1954, no.214
  • Watt, Alexander. “Paris Commentary,” The Studio, September 1954, vol.148, no.738, 92.
  • Devree, Howard.  “About Art and Artists: Canvases by Biala Compete at Galleries,” The New York Times, April 7, 1955, 30.
  • Devree, Howard.  “Painting Round-Up: Whitney Museum  Opens Its Big Annual of Contemporary Work,” The New York Times, November 13, 1955, X14.
  • Hagen, Yvonne. “Biala at Jeanne Bucher Gallery,” New York Herald Tribune (Paris), April 30, 1956
  • Munro, Eleanor C. “Biala Paints a Picture,” ARTnews, April 1956, vol. 55, no. 2, 32-35, 91.
  • Elgar, Frank. “Les Américains à Paris” Carrefour, February 6, 1957
  • Ashton, Dore. “Art: At the Bullfight: Works of Janice Biala at Stable Gallery,” The New York Times, October 8, 1957
  • Courtois, Michel. “Gouaches et Aquarelles,” Arts, November 6, 1957.
  • Devree, Howard.  “Art: Tripartite Exhibition at Stable Gallery,” The New York Times, December 6, 1957.
  • Elgar, Frank. “Retour à la Peinture,” Carrefour, January 22, 1958.
  • Hagen, Yvonne. “Art and Artists: Biala at Jeanne Bucher Gallery,” New York Herald Tribune (Paris), April 30, 1958.
  • Elgar, Frank. “Peinture d’abord! Biala à Jeanne Bucher,” Les Arts, May 7, 1958
  • Barotte, René. “Biala, Peintre Dynamique”, L’Intransigéant (Journal des arts), May 7, 1958.
  • Barotte, René. “L’école de Paris” Dimanche, October 26, 1958.
  • Ashton, Dore. “Cape Cod Activity: Art and Artists Thrive at Provincetown,” The New York Times, August 20, 1959, X10
  • Ashton, Dore. “Art: New Acquisitions,” The New York Times, October 30, 1959, 34.
  • Burckhardt, Edith. “November Cross-Selections: Biala,” ARTnews, November 1959, vol. 58, no. 7, 42, 69.

 1960-1969

  • Wilkinson, Sarah. “Abstractions Dominate French Show,” Jerusalem Post, October 25, 1960.
  • Elgar, Frank. “Offensive  Contre l’Art Abstrait,” Le Parisien Libère, July 5, 1961.
  • Ashbery, John. “École de Paris,”  New York Herald Tribune (Paris), November 12-13, 1960, 10.
  • Ashbery, John. “Formes et Couleurs at Galerie Charpentier,” New York Herald Tribune (Paris), July 19, 1961.
  • Vallier, Dora. “Biala,” Pour l’Art, July 1961, 40-3.
  • Vallier, Dora. “Biala,” Pour l’Art, October, 1961, 42-3.
  • “Paintings by Janice Biala,” The Minnesota Review, Spring 1962, 208.
  • “Biala at Galerie Le Point Cardinal,” New York Herald Tribune (Paris), April 25, 1962
  • J.M. “Biala at Galerie Le Point Cardinal,” Le Monde, April 27, 1962, 9.
  • Beck, James. “Biala,” ARTnews, January 1963, vol. 61, no.9, 38, 60.
  • Ashbery, John. ”American Sanctuary in Paris,“ ARTnews Annual, October 1966, 84-95.
  • “Soixante-quinze peintres Américains contemporains confrontent l’heure extrème diversité,” Arts, January 30 – February 5, 1967.
  • Barotte, René. “Janice Biala est devenue peintre grace à Porthos,” L’Intransigéant ,May 30, 1967, 5B.
  • J.D. “Biala at Galerie Jacob,” Nouvelles Littéraires, June 1, 1967.
  • R.B. “Les expositions,” L’Intransigéant, June 1, 1967.

1970-1979

  • Baron, Jeanine. “Le Prix Paul-Louis Weiller,” La Croix, February 15, 1971.
  • “Six Peintres Américains”, La Nouvelle République, February 20, 1972.
  • Derfner, Phyllis. “Color, Light and Image,” Art International, March/April 1976, vol. 20, no. 3-4, 7 -13.
  • Kramer, Hilton. “Hirshhorn Shows Artist-Immigrants,” The New York Times, June 10, 1976, 46.
  • Kramer, Hilton. “Biala at Livingstone-Learmonth,” The New York Times, January 14, 1977, C14.
  • “Biala at Livingstone-Learmonth,” Arts Magazine, vol. 51, no. 8, April 1977, 43.
  • Kramer, Hilton. “Biala at Gruenebaum,” The New York Times, May 19, 1978, C15.

1980-1989

  • Kramer, Hilton. “Biala,” The New York Times, October 30, 1981
  • Frank, Elizabeth. “Biala at Gruenebaum,” Art in America, January 1982, 141.
  • Raynor, Vivien. “Biala,” The New York Times, June 3, 1983
  • Russell, John. “Biala,” The New York Times, October 11, 1985
  • Brisset, Pierre, “Biala à Galerie Jacob,”  L’Oeil, January-February 1988, no. 390-391, 93.
  • Brenson, Michael. “Three Who Were Warmed by the City of Light,” The New York Times, June 25, 1989, 31-32.

1990-1999

  • Maillet, Edda. “Biala,” Le Petit Bonhomme, January 19, 1990.
  • Brenson, Michael. “Biala at Kouros Gallery,” The New York Times, April 6, 1990.
  • “Biala at the Kouros Gallery”, Tableau Magazine, April 1990, 72-73.
  • “Biala at Louis Newman Galleries,” Art & Antiques, February 1991.
  • Stretch, Bonnie Barrett. “Biala at Kouros,” ARTnews, September, 1996, vol. 95, no.8, 132-133.

2000-2009

  • Smith, Roberta. “Biala, 97: Whose Paintings Were Cryptic and Luscious,” The New York Times, October 12, 2000.
  • Cash, Stephanie. “Obituaries,” Art in America, October, 2000.
  • Dannatt,  Adrian. “Janice Biala,” The Independent, November 30, 2000.
  • Smith, Roberta. “Biala and David (sic) Brustlein” The New York Times, February 2, 2001.
  • Brenson, Michael. “Joan Mitchell; a Vintage Encounter,” The New York Times, June 30, 2002, 2.
  • Nathan, Jean. “A Life Less Ordinary,” Vogue, January 2006, 132-137, 164.
  • Naves, Mario. “Biala’s Brush,” The New York Observer, January 23, 2006, 16.
  • Smith, Roberta. “Biala: Selected Paintings,” The New York Times, February 3, 2006, E37
  • Panero, James. “Gallery Chronicle,” The New Criterion, Vol. 27, February 2006, 52.
  • “Object Lessons,” The Art Newspaper, no. 166, February 2006.
  • Rubinstein, Raphael. “Biala’s Fragmented  Interiors,” Art in America,  May 2006, 173-175.
  • Genocchio, Benjamin. “ In Context: Collage + Abstraction,” The New York Times,  July 27, 2007.
  • Naves, Mario. “The New York School’s Left Bank Campus,” The New York Observer, August 6, 2007.
  • Mullarkey, Maureen. “In Paris, Freedom from Pressure,” The New York Sun, August 9, 2007.
  • Schwendener, Martha. “Art In Review: Americans in Paris, Abstract Painting in the 50s,” The New York Times, August 31, 2007.
  • Goodrich, John. “Bohemian Rhapsody,” The New York Sun, December 13, 2007.
  • Rubinstein, Raphael. “Americans in Paris: Abstract Painting in the Fifties,” Art in America, November 2007.
  • Smith, Roberta. “I Belong Where My Easel Is,” The New York Times, December 28, 2007.
  • Andrew, Jason. “Ford + Biala: A Fateful Meeting,” P.N. Review, 182 34, no. 6, July-August 2008, 28 – 32.
  • Schwabsky, Barry. “In Conversation with Joan Waltemath,” The Brooklyn Rail, November, 2009, 35.

2010-

  • Smith, Roberta. “Interior (Tibor de Nagy Gallery),” The New York Times, March 29, 2013, C24

Books

  • Motherwell, Robert. Reinhardt,  Ad., et al. Modern Artists in America, First Series. New York: Wittenborn Schultz Inc., 1951.
  • Weelen, Guy. J.Biala, Collection: Artistes de ce Temps. Paris: Presses Littéraires de France, 1952
  • Ford, Ford Madox. Buckshee. Cambridge: Pym-Randall Press, 1966.
  • Mizener, Arthur. The Saddest Story: A Biography of Ford Madox Ford. New York and Cleveland: World Wide Publishing, 1971
  • Stang, Sondra. The Presence of Ford Madox Ford. Philadelphia: University of Pennsylvania Press, 1981
  • Ross, Clifford. Abstract Expressionism: Creators and Critics: An Anthology.  New York: Harry N. Abrams, 1991
  • Herbst, Josephine. The Starched Blue Sky of Spain. New York: Harper Collins, 1991.
  • Saunders, Max. Ford Madox Ford: A Dual Life, Volume II. New York: Oxford University Press, 1996
  • Herskovic, Marika. Abstract Expressionists: Artists’ Choice by Artists. New Jersey: New York School Press, 2000.
  • Stevens, Mark and  Annalyn Swan.  de Kooning, an American Master, New York: Alfred A Knopf, 2004.
  • Wiesenfarth, Joseph. Ford Madox Ford and the Regiment of Women. Madison: The University of Wisconsin Press, 2005.
  • Tworkov, Jack. The Extreme of the Middle: Writings of Jack Tworkov. Edited by Mira Schor. New Haven and London: Yale University Press, 2009.